Tag Archives: fine art

LA Art Show 2018

Review by Moira Cue 

Antuan Rodriguez Left or Right.

There may be a little personal bias going on, but this year—2018— was my favorite year at the LA Art Show. The modern, contemporary, art and design objects, China, jewelry and Old Masters sections were all combined into one open floor plan, with greatly widened aisles. The result was less elbow-to-elbow pushing and shoving and more room to breathe.  Additionally, gone were some of the more theatrical, over-the-top shock artists. With installations like Antaun’s “Left or Right,” and his partner Luce, there was a focus on healing.

Antuan Rodriquez is a Cuban artist whose installation of lightweight red punching bags allowed visitors to punch their favorite dictator. Along with notorious butchers, despots, serious control freaks, and murderers, the artist included the face of two recent Republican American presidents.  One of whom was extremely popular as a punching bag, in stark contrast to the many artists who were inspired in 2008 to create iconic, positive images of Barack Obama.

I met Antuan’s partner, Luce, in line near the espresso bar and again in front of two of my paintings which made a brief appearance at Bruce Lurie Gallery. I didn’t know they were part of the programming, but I was drawn to their all-white clothes and the gold temporary tattoos Luce was wearing on her face and below her clavicle. I described the positive intention of my paintings—to emanate abstract virtues and stimulate cross-cultural conversations—and Luce told me she was a medicine woman, and invited me to be a participant in a performance on Sunday, the closing day.

Participants in white chanted “om” and proceeded through the gallery to the punching bag installation, where we played Tibetan singing bowls, chanted some more, and then watched a man named Ceasar perform a Latino version of the whirling dervish dance, spinning on his head with a biker’s helmet on. The intention behind the performance was to offer an alternative to the aggression and male dominance symbolized by the punching bags.  (note: I do not believe Luce was listed separately in the programming, so I don’t know if I am correctly crediting her or her full name).  The piece was listed as a part of Antuan’s installation.

This was a year where women and people of color had a greater presence than in some previous shows, and that is definitely a positive and led to the opportunity to have some real conversations. Jane Szabo, a photographer and conceptual artist, chided me about my sky-high heels. I wasn’t even wearing them when we met, but carrying them while trekking with my flip flops. In years prior, I received odd looks for ‘not’ wearing them rather than direct comments that I should just ditch them entirely instead of soldiering on as long as possible. I’m glad she started a conversation because I was able to learn more about her work.

Szabo discussed with me photographs of objects that related to memory, aging, and loss. “I read a novel with a line that stood out to me,” she said. “The last thing your parents teach you is how to die.” Szabo is currently dealing with her parents’ aging as an emotional source of contrast in her still life. The work suggests domesticity and the passage of time with an intimate but ultimately inaccessible urgency. My favorite image is “Secrets” from the Family Matters series. It is a diary with a padlock, covered in rough grey stones. The image is iconic and powerful.

Another super cool artist I was able to meet was Chukes, an Altadena- based sculptor who was present with his wife Rhonda. I started up a conversation with Chukes about the work of one of his friends, Tim Washington; whose work utilizing found objects and kitsch (placed on the outer parameters of the gallery) is funky, whimsical, and yet deeply spiritual. Chukes’ figurative work I was fortunate to have described to me celebrates womanhood and exposes the psychological limitations placed on African-American men culturally as illusions. That is not to say that we don’t all have cultural expectations that can be harmful; it is to say that we are free to move beyond what is expected of us. If we realize we have the choice.

More LA galleries, and more downtown LA galleries, made strong showings this year. Chris Davies, director of Fabrik Projects, is not only running an art publication (Fabrik Magazine) but also made a very strong showing with the project space and a lot of consistent, great work. BG Gallery from Santa Monica was everywhere. And the quality of downtown LA galleries, which used to be spotty with a few bright lights, is becoming an undeniable force. Gallerist Renee Warren of Ren Gallery and Luke at Cordesa Fine Art were approachable, smart, and both located in DTLA. Cordesa had a tightly curated group of artists whose work was both conceptually and technically precise; I particularly enjoyed Martin Machado’s psychological aquatic landscapes with a contemporary psyche and an antique etched feel and the brightly colored wood relief sculpture of Sean Newport.  Ren Gallery had mandala-themed works on sale that caught my eye immediately on entering the hall from an artist named Aiseborn, who was creating a mural in residence on opening night.

On Wednesday night I met a woman named Chakra who also knew Aiseborn; she met him when he knocked on the door of their loft/commune and asked if he could tag their wall. Chakra discovered that Aiseborn was homeless, and the group decided to provide housing for Aiseborn for a year and a half. The artist is now in the Getty Museum collection and doing very well. His work also has a spiritual vibe, with titles like “purity” and figures that seem influenced by Mayan and Incan artifacts. Although he is a street artist, his work looks more like the socially conscious murals of the sixties and seventies than work inspired by graffiti and urban music.

Art All Ways represented smaller scale work by hot L.A. street artist Retna, along with a very popular installation of ceramic donuts by Jae Yong Kim and giant candy bars by artist Daniel Allen Cohen, who brought his adorable bulldog to sit at the booth one evening. Performance artist Pandemonia, outfitted head to toe like a plastic doll, attracted a lot of attention.

There was texture by ceramic artist Sharon Hardy, and neuroscience-inspired projects on empathy and synesthesia, and a ballpark with a trio of alternate selves; a Skid Row-inspired cast of characters in a staged postmodern reference to the Death of Marat, also titled Death of Marat, by Daniel Joseph Martinez, who was also in attendance Wednesday night and surrounded by curious patrons.
The newly discovered Gil Cuatrecasas work was prominently represented, with a highly professional team working to give the artist the support and recognition he deserved while he was still living but didn’t receive until later. I absolutely love this work.

The work that the gallerists do on behalf of artists is not easy, and often overlooked. One quality of a great art dealer is bonhomie—a general goodwill toward people—and spending more time at the Bruce Lurie Gallery this year, I was impressed by the Lurie brothers’ openness and general good nature toward the show attendees. It’s no wonder their booth was always full of people. Pop artist Nelson De La Nuez showed some new works on custom-made paper; created by the same folks who bring us spiral bound notebooks, but in a giant size. Andrea Bonfils showed highly technical mixed media works with a floral theme that looked like candy-colored floral holograms. Michael Gorman’s colorful, expressive work elicited a lot of interest, also.

I was excited to find the Paris-based Galerie Bruno Massa, exhibiting the work of Gilles Teboul. Teboul’s work was described in the gallery’s literature “in the purest archeiropoïetic tradition …. (a) Greek term (that) means ‘not made by the hand of man, miraculously.” The artist demonstrates mastery of the surface reflection through poured resin over gorgeous, crepuscular color fields of a halcyon dream. The entire collection clearly belonged in a museum.

On a final, upbeat note, the Lincoln Navigator on display was there not only to turn heads but to support St. Jude’s. For every person who gave her personal information, the company donated $50 to St. Jude’s Childrens Hospital. And then they gave you a box of truffles—a sweet reward for a simple act of kindness.

Moira Cue is Art and Literature Editor for The Hollywood Sentinel, a fine artist, singer, songwriter, and actress who has appeared on numerous TV shows and major motion picture.  Visit the official Moira Cue website at www.MoiraCue.com 
This content is (c). 2018, Moira Cue, Hollywood Sentinel.   Contact Hollywood Sentinel at 310-226-7176. 

LA Art Show Proves to be One of the Cities Top 10 Events of 2018

One of the Word’s Most Important Art Shows happened last week: LA Art Show 2018, from January 10-14, 2018 at the Los Angeles Convention Center

The LA Art Show is a huge rush of adrenaline, and massive excitement in one of the best cities in the world, showcasing some of the greatest artists of all time from around the planet.”
— Bruce Edwin; The Hollywood Sentinel

Jean-Gabriel Domergue (1889-1962-French), Femme a’ la Robe Jaune (Lady in a Yellow Dress), Oil on board, mid 20th Century, M.S. Rau Antiques

One of the most exciting shows each year in Los Angeles, the LA Art Show was back last week. From January 10-14, 2018, a large portion of the massive Los Angeles Convention Center was transformed for 5 exciting days, into one of the greatest mega-gallery extravaganzas on Earth.  With over 100 gallerists, some of the worlds greatest fine art, world famous artists, celebrity guests, speakers, pop up restaurants from L.A’s best fine dining, architecture, furniture, jewelry, and more, the LA Art Show was the place to be.

One of the most important art shows in the world, The LA Art Show hails from downtown Los Angeles; the second most important city in America for art, second only behind New York, with Chicago and Miami following. As the West Coast’s most comprehensive and exciting art happening, The LA Art Show was presented by The Palm Beach Show Group, headed by Kim Martindale.

One of my top 3 favorite works in the show this year, proved to once again be represented by M.S. Rau Antiques. The stunning “Femme a’ la Robe Jaune” by the masterful Jean-Gabriel Domergue, who reportedly stated that he was the first ‘pin-up artist,’ must be seen in person to be appreciated finely, with its stunning depth, beauty, and charisma, priced very reasonably at just under one hundred thousand dollars.  “Femme a’ la Robe Jaune” is filled with life, bursting with each line, pouring passion with each brushstroke, perfectly personifying the grace, and beauty of a woman.

Another favorite included Gil Cuatrecasas, at ADC in New York.  I will be devoting an article to this master, in another upcoming article here.  Bias aside, my client Moira Cue at Bruce Lurie Gallery proved to be another one of my favorites–which of course, is why I chose to represent her in the first place. I will additionally discuss Cue’s work further in an upcoming article here.

John Halcomb, at Rebecca Hossack Art Gallery also proved to create some outstanding and exciting works–filled with energy and expression, seamlessly blending figurative and pop with a bright and colorful palette.

Jon Hamm, 2018 LA Art Show, photo credit, Bruce Edwin

LA Art Show 2018 was hosted this year by Jon Hamm; Emmy and Golden Globe award-winning actor, director and producer, who introduced this year’s Opening Night Premiere Gala, held today Wednesday, January 10, 2018 from 7pm – 11pm. Proceeds from the event  benefited St. Jude Children’s Research Hospital, making this the fourth year as the LA Art Show’s charity partner.

100% of sales of Patron and Vanguard tickets and 15% of sales of Friend tickets went directly to the charity. All attendees of the Opening Night Premiere party supported St. Jude’s lifesaving mission to find cures for childhood cancer and other life-threatening diseases.

In addition to a sneak preview of the exhibits, live music and performance art, gala attendees enjoyed beverages and hors d’oeuvres from over 20 select Los Angeles restaurants.

Carla Kranendonk, Mareme, paper, acrylic paint, beads, and yam on canvas 135x210cm, 53 1/8 x 82 5/8 in, 2017, Rebecca Hossack Gallery, photo credit Bruce Edwin, 2018.

Other Celebrity Guests Included: Emma Roberts (Actress), Terry Crews (Brooklyn Nine-Nine Actor), Jesse Williams (The Butler, Cabin in the Woods, Elena Satine (The Gifted), Aldis Hodge (Hidden Figures, Straight Outta Compton), Jurnee Smollett-Bell (Underground), Matthew Modine (Full Metal Jacket, The Dark Knight Rises), Jaina Lee Ortiz (Rosewood), Brandon Boyd (Artist and Lead Singer of Incubus), Richard Burgi (Desperate Housewives), Cheech Marin (Cheech & Chong), Beau Dunn (Entourage), Azie Tesfai (Jane the Virgin), Omar Miller (Ballers, CSI Miami), Alice Amter(Big Bang Theory), Eva LaRue (All My Children, CSI Miami), Amber Stevens West (22 Jump Street), Kamil McFadden (Marvel Rising: Secret Warriors), Edwin Hodge (The Purge), Catfish Jean (Survivor’s Remorse), Jermaine Brantley (Black Panther), Kassandra Voyagis (Cleopatra), Kyle Schmidt (SIX), Yvonne Orji (INSECURE), Brian Banks (The Brian Banks Story), Jarry Casale (Musician/DEVO), Moira Cue (Visual Artist/Singer/Actress), Tyson Ritter (All American Rejects lead singer), and Jaylen Moore (SIX).

FEATURED WORKS

“Left” or “Right”/Punching Bags: by Antuan Rodriguez: Curated by Marisa Caichiolo

The artist states, “Current global politics has created an environment of disrespect for humanity and our planet. Lack of harmony, senseless war, violence, racism, ignorance, loss of values and principles, lack of consciousness, super egos and demagoguery, corruption, disrespect of women, false promises, and outright lies.” A healing project, this interactive installation depicts different world leaders and tyrants, and will allow the spectator, through the punching of the bags, to release anger, hatred and resentment. This release of negative emotions will transform these objects into tools of detoxification and mental healing.

The Infinity Boxes: Matt Elson: (pictured) Presented by: bG Gallery

Artist Matt Elson presents a series of boxes that allow intimate groups of people to interact via elaborately constructed infinity mirrors set up inside. Aesthetically they are objects that draw the viewer in from a distance with the box’s odd beauty and become progressively less comprehensible during interaction.

Typically two people will walk up, look in from each side, put their heads in the box, and then are surprised by the world that opens up inside. The works truly become active only when someone else is looking in the box from the other direction creating a social connection in a perceptually-created other world.

I’m Not A Trophy: Arno Elias; (Model Cara Delevingne, pictured) Presented by Denis Bloch Fine Art

Established in 2016, I’m Not A Trophy is a global initiative to create greater awareness in the malicious acts of trophy hunting and poaching of endangered species. Founded by French artist Arno Elias, the campaign utilizes powerful females figures, like internationally celebrated supermodel and actress, Cara Delevingne, to represent the program’s commitment to bringing increased attention to trophy hunting while empowering women to fight back.

An exciting show every year,  LA Art Show 2018 proved once again to be an outstanding event, and undoubtedly one of the top 10 events of 2018. Thank you to all involved for a great show, and your kind hospitality.

This content is (c). 2018, Hollywood Sentinel.

 

MOCA Board Names Lifetime Trustees

The Museum of Contemporary Art, Los Angeles (MOCA), announced today that its Board of Trustees has designated Maria Arena Bell and David G. Johnson as Life Trustees, acknowledging their significant commitment and service to the institution. Life Trustees are current or previous trustees elected by MOCA’s Board of Directors in recognition of especially meritorious service rendered to the museum. MOCA Life Trustees include Eli Broad, Betye Monell Burton, Blake Byrne, Lenore S. Greenberg, Audrey Irmas, Frederick M. Nicholas, and Thomas E. Unterman.

Bell joined the MOCA Board in 2008 and served as co-chair with Johnson from 2009 until her departure from the board in 2014. Johnson joined MOCA’s Board in 2005. He served as co-chair from 2008 to 2013, first with Unterman, then with Bell, and continues to serve as chair emeritus. As co-chairs, Bell and Johnson revitalized MOCA, initiating and leading a campaign that raised over $120 million for MOCA’s endowment.

“Maria and David have been strong and significant members of the Board, and they were at the helm during a very challenging moment. They led MOCA through the storm and into a healthier, more prosperous time. The Museum and the entire Board are very grateful for their dedication, leadership, and hard work. I am happy that the Board acknowledged Maria and David by making them Life Trustees of MOCA,” remarks MOCA co-chair Maurice Marciano.

Maria Arena Bell

Maria Arena Bell is a television writer and producer who founded Vitameatavegamin Productions to develop projects for film, television, and new media. She is the Emmy Award-winning former head writer and executive producer of The Young and The Restless, the number-one daytime drama, where she had unprecedented success and led her team to two Writers Guild of America Awards. She has also written essays for T: The New York Times Style Magazine, C Magazine, Aspen Magazine, and many others.

Bell chaired five artist galas for MOCA, working closely with artists Takashi Murakami, Francesco Vezzoli, Doug Aitken, Marina Abramovic, and Rob Pruitt on events that were both financial successes and complete, immersive artworks. She co-chaired the endowment campaign and two director searches at MOCA. She chaired the Americans for the Arts National Arts Awards for over a decade, as vice chair of the board, and received the Legacy Award in 2015 for her extensive work in arts education. Bell also chaired P.S. Arts, an organization that provides art in Title 1 public elementary schools in the Los Angeles area, for five years, then served as president (then president at large) and chaired their signature fundraisers for over a decade.

Bell was appointed to the Los Angeles Cultural Affairs Commission in 2013 by Mayor Antonio Villaraigosa and is a former California State Commissioner on the Commission for the Status of Women and Girls. She recently received the 25th Annual Montblanc de la Culture Arts Patronage Award for her work in education and was inducted into the Newport Harbor High School Hall of Fame in 2015. She is also the recipient of a Women’s Image Network Award for Women in Entertainment and Philanthropy. Bell currently serves on the board of MoMA PS 1 and is on the board of advisors for the Mary and Leigh Block Museum of Art at Northwestern University.

David G. Johnson

David G. Johnson is the founder of Act 4 Entertainment, a Los Angeles–based filmed entertainment and new media content company created to motivate and inspire audiences towards social action. Johnson most recently produced the live stage musical American Psycho in London and New York. He executive produced The People Speak, a feature-length documentary based on Howard Zinn’s book A People’s History of the United States, and Angels in Exile, a feature-length documentary about street kids of Durban, South Africa. Johnson also produced The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby, a feature-length documentary about the career and family life of controversial CIA director Colby, and Company Town, the upcoming feature-length documentary about environmental injustice in Crossett, Arkansas.

Johnson was a cofounder of Agility Capital, LLC, a venture fund for early-stage companies. He was formerly a senior executive at Metro-Goldwyn-Mayer Inc. (MGM) and a partner of the international law firm White & Case.

Johnson co-chaired (with Bell) two director searches at MOCA and led the endowment campaign. He also led a 2008 initiative to raise nearly $57 million and stabilize MOCA’s finances.

Johnson is a board member and former chair of Public Counsel Law Center, the nation’s largest public interest pro bono law firm. He founded the Center’s Opportunity Under Law Project to address economic injustice through large-scale impact litigation. In 2012, Congressional Minority Leader Nancy Pelosi (D-Calif.) presented Johnson with Public Counsel Law Center Founders Award for his commitment to the organization.

Prior to his Life Trustee designation, Johnson served as chair emeritus on the MOCA Board of Trustees. Johnson is also a trustee of California Institute of the Arts, a member of the board of directors of Children Now and KCETLink, and a member of the board of advisors of the Yale School of Drama.

Visiting Artist: Terry Riley

Composer and performer Terry Riley is one of the founding fathers of the Minimalist Movement. His landmark composition In C (1964) established Minimalism as a vital force in contemporary music and his work continues to be a major influence today. His career, spanning five decades, far from being confined to the minimalist category, has always crossed boundaries and been marked by its effortless transformations and morphing from one strata of thought to another. Highly developed elements of Indian music, jazz, and African and Middle Eastern music can be heard in intricate melding in much of his work. Terry’s list of collaborators includes La Monte Young, Chet Baker, John Cale, Don Cherry, Krishna Bhatt, Gyan Riley, Stefano Scodanibbio, the Kronos Quartet, the Bang on a Can All Stars, artist Bruce Conner, and poet Michael McClure.

Terry Riley–Doug Aitken: Electric Earth

Minimalist composer Terry Riley’s revolutionary 1964 classic In C provided a new concept in musical form, changing the course of 20th-century music. His hypnotic, multilayered, brightly orchestrated improvisations and compositions based on interlocking repetitive patterns set the stage for the prevailing interest in a new tonality, making him one of the most important living composers. Riley has been cited as a major influence by composers Phillip Glass and John Adams, and rock band The Who. During the six-day residency at The Geffen Contemporary at MOCA, running from January 4–9, 2017, Riley improvises solo as part of a series of in-gallery programs focusing on core ideas in the exhibition Doug Aitken: Electric Earth.

Riley will create a series of improvisational performances in dialogue with the multiple moving image installations inside the exhibition Doug Aitken: Electric Earth. In each performance, Riley will use a combination of instruments to explore and respond to the different environments within the exhibition, including the multi-video-channel works migration (empire) (2008) and SONG 1 (2012/2015).

On Thursday, January 5, Riley will do a one-hour concert performance starting at 7pm, and again on Sunday, January 8 starting at 3pm. During the remainder of the residency dates Riley will be doing impromptu performances inside the exhibition. All performances are free with museum admission.

THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA)
About MOCA:

Founded in 1979, MOCA’s vision is to be the defining museum of contemporary art. In a relatively short period of time, MOCA has achieved astonishing growth with three Los Angeles locations of architectural renown; a world-class permanent collection of more than 6,800 objects, international in scope and among the finest in the world; hallmark education programs that are widely emulated; award-winning publications that present original scholarship; groundbreaking monographic, touring, and thematic exhibitions of international repute that survey the art of our time; and cutting-edge engagement with modes of new media production.

MOCA is a not-for-profit institution that relies on a variety of funding sources for its activities.

Hours:

MOCA Grand Avenue (located at 250 South Grand Avenue in Downtown Los Angeles) is open Monday, Wednesday, and Friday from 11am to 6pm; Thursday from 11am to 8pm; Saturday and Sunday from 11am to 5pm; and closed on Tuesday.

The Geffen Contemporary at MOCA (located at 152 North Central Avenue, Los Angeles, CA 90012) has the same hours as MOCA Grand Avenue during exhibitions. Please call ahead or go to moca.org  for the exhibition schedule for The Geffen Contemporary at MOCA.

MOCA Pacific Design Center (located at 8687 Melrose Avenue, West Hollywood, CA 90069) is open Tuesday through Friday from 11am to 5pm; Saturday and Sunday from 11am to 6pm; and closed on Monday.

The MOCA Store at MOCA Grand Avenue (located at 250 South Grand Avenue) is open Monday through Wednesday and Friday from 10:30am to 5:30pm; Thursday from 10:30am to 8:30pm; and Saturday and Sunday from 10:30am to 6:30pm.

Museum Admission: General admission is free for all MOCA members. General admission is also free for everyone at MOCA Grand Avenue and The Geffen Contemporary at MOCA on Thursdays from 5pm to 8pm, courtesy of Wells Fargo.  General admission is always free at MOCA Pacific Design Center. General admission at MOCA Grand Avenue and The Geffen Contemporary at MOCA is $15 for adults; $8 for students with I.D.; $10 for seniors (65+); and free for children under 12.

More Information: For 24-hour information on current exhibitions, education programs, and special events, call 213-626-6222 or access MOCA online at moca.org.

This content is copyright, 2016, MOCA, Hollywood Sentinel, all rights reserved.