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Keeping Kids Safe In Hollywood

Some of this information has been published by us before, however, it needs repeated over and over so that we maximize every opportunity we have to reach as many parents and kids as possible with this hugely valuable and crucially important information.

While the Hollywood Sentinel reports ‘only the good news,’ we also believe in being realists, and confronting the greatest form of evil on the planet–child sex abuse. The GOOD news is, we can get the word out there, we can stand up to the abusers, and we can help prevent more children from falling prey to these perpetrators.

The Hollywood Sentinel’s Bruce Edwin has had the pleasure to meet both Evan Henzi and Corey Feldman as seen in the clip below. We applaud them both for their strength and bravery in coming forward to do something to help put a stop to the disgusting travesty of child sex abuse in Hollywood.

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Protecting Children

We are pleased about the news of pedophile and child rapist Jared Fogle getting 15 and a half years  in a federal prison.  While we can think of a far more fitting justice for Fogle, at least some justice is being served. He will reportedly serve around 13 years of this sentence. Thank you to federal prosecutors who did not relent in this manner. Former Subway spokesman Fogle engaged in the statutory rape  of two children, and contributed to the creation of child porn of 12 other child sex victims by drugging them and getting them drunk, and also failing to report the creation of child porn he knew about and used.

FRANCESCA

Child Trafficking Prevention

The cause of child sex trafficking prevention is slowly and gradually starting to become more newsworthy and more a cause of celebrities.

FACT: The majority of child trafficking cases are not reported, or are largely under-reported, ignored, or buried by mainstream media.

WHY?

1) Subject matter. Many are too afraid or not willing to confront what is truly the most evil, ugly subject matter on the planet.

2) Fighting trafficking is a dangerous job. Many traffickers at the top level up the chain are connected to gangs, organized crime, drug traffickers and militia groups, and yes– at times politicians, heads of state, and other top persons in positions of power and public attention. Most mainstream media are unwilling to confront top power avenues, particularly if their lives or jobs are at stake for naming names.

3) When fighters of trafficking are found out, or engage in direct confrontation, they are often met with death threats, covert attempts on their life, or armed attack. Some are murdered.

ISSUES:

Some so called independent media  which advertise alcohol, pot, pills, porn, and prostitution, have the audacity to run lying articles stating that the problem of child trafficking is not as big as certain groups state. Wrong, it is BIGGER.

Super Bowl Trafficking:  Sites including ‘snopes’ attempts to report that there is no significant increased incidents of child trafficking during and at cities which host the Super Bowl. Our contacts prove that so called myth de-bunking a LIE. The stats DO rise.

Many conservative laws treat pimped children as criminals. Traffickers often use this fact to scare children further into reporting them, with the kids fearing that they will be arrested for prostitution if they go to try get help or get away.

(Note: We do thank the City of Los Angeles for their recent change of laws concerning no longer treating child victims of sex abuse as criminals or prostitutes).

Stopping Child Trafficking Entails Five Main Areas:

1, Self Esteem: The more self esteem a child has, the better chance they have at not being a victim.

This entails how the media portrays women and children in the media, which play a big role in how young girls and boys view themselves and treat others. When for example, a U.S. presidential candidate repeats vulgar obscenities describing female body parts, to be used as a degrading insult to attack an opponent (language once only found in ‘R’ rated films, and when media repeats such obscenities over and over, it not only degrades culture, it lowers the value placed on women and young girls.

Teach Self Worth

Teach your child that they are valuable, and they their self worth has nothing to do with sex or their body. The self esteem of far too many women and girls, especially those in Hollywood or aspiring to ‘make it’ in Hollywood, succumb to the wrong idea that they are only valuable to the degree that they are wanted sexually or romantically by a man. This is false, and is a ploy that pedophiles often use as a tool to manipulate young women and children. Teach your children self esteem, and that they have immense value as a human being, which can not be taken away by anyone, even if they are hurt, or told otherwise. Teach your children to be strong and powerful–NOT victims.

Do NOT let your kids give out their personal info. to anyone that you do not know and trust.

2, Education: Kids need educated as to how traffickers work, what they do, and how to spot them and prevent being abused. Don’t scare your kids. Teach them the fact that most of society is safe, and that people ‘are’ basically good. But do teach them the reality of child trafficking and child abduction and abuse, and how they can prevent being a victim of it.

3, Rescue: Finding and Locating Traffickers and Rescuing Children: With the exception of a few, most anti-child sex trafficking groups do not even find or locate abusers and bust them, or rescue children. Most merely serve as a so called ‘safe house’ to indoctrinate kids with their political or religious agenda, when they are most vulnerable, after they are rescued. More groups need to be formed that actually locate abusers and kids, and rescue them, bringing abusers to justice.

4, Housing: Taking Care of Kids after they have been rescued, providing them a safe place, and making sure that they do not repeat the cycle.  At this stage, kids don’t need preached to or made to feel wrong, or required to listen to indoctrination or coerced to sign up for anything. Also, they should not be put on pills or other drugs which will further dehumanize and control them.

5, Promotion: Letting the public know about the reality of trafficking and how they can also help us stop it.

Be there with your child every minute at any meeting, casting, audition, go-see, class, job, or interview for an agent, manager, casting director, or the like. Be there. You have a right to be. If they don’t like it, or say you can’t, walk out, and call ME and I will deal with them for you personally.

There is much, much more we need to discuss concerning this topic, but this is a start.  I hope this has helped many of you.

-Bruce Edwin

If you have any questions or comments, you are invited to contact Bruce Edwin directly through the front page of www.HollywoodSentinel.com.

If you know about someone who is a suspected child abuser or trafficker that has not yet been brought to justice, contact The Office of Bruce Edwin directly at 310-226-7176.

Ten percent of all profit of The Office of Bruce Edwin Productions, The Hollywood Sentinel, Hollywood Sentinel Public Relations, and Starpower Management goes to help fight child sex trafficking and the abuse of children in Hollywood.

Bruce Edwin is a film producer, model and talent manager, public relations expert, and publisher of The Hollywood Sentinel, which publishes ‘only the good news.’ His firm works with some of the most powerful and biggest names in entertainment in the world of music, film, fashion, art and business.

If you know a parent with children that could benefit from this information, you are invited to forward this link to them.

WALKING PREY

Today, two cultural forces are converging to make America’s youth easy targets for sex traffickers. Younger and younger girls are engaging in adult sexual attitudes and practices, and the pressure to conform means thousands have little self-worth and are vulnerable to exploitation. At the same time, thanks to social media, texting, and chatting services, predators are able to ferret out their victims more easily than ever before. In Walking Prey, advocate and former victim Holly Austin Smith shows how middle class suburban communities are fast becoming the new epicenter of sex trafficking in America. Smith speaks from experience: Without consistent positive guidance or engagement, Holly was ripe for exploitation at age fourteen. A chance encounter with an older man led her to run away from home, and she soon found herself on the streets of Atlantic City. Her experience led her, two decades later, to become one of the foremost advocates for trafficking victims. Smith argues that these young women should be treated as victims by law enforcement, but that too often the criminal justice system lacks the resources and training to prevent the vicious cycle of prostitution. This is a clarion call to take a sharp look at one of the most striking human rights abuses, and one that is going on in our own backyard.

This content is ©2016, Bruce Edwin, The Hollywood Sentinel, all rights reserved.

L.A. Art Show Soars With Anne Hathaway

Anne Hathaway LA Art Show with Scott

THE ACADEMY AND POLICH TALLIX FINE ART FOUNDRY
REVIVE THE ART OF OSCAR® STATUETTES

The Academy announced that Polich Tallix Fine Art Foundry, based in Rock Tavern, New York, will exclusively create its iconic Oscar® statuettes, starting with the 88th Academy Awards®. In a process that returns to the Oscar’s fine art roots, the statuettes will now be hand-cast in bronze before receiving its 24-karat gold finish.

“With the help of some 21st century technology, we’re able to honor the Oscar’s proud beginnings,” said Academy President Cheryl Boone Isaacs. “The new statuette exemplifies impeccable craftsmanship and the enduring nature of art.” Using a cast bronze Oscar from 1929, Polich Tallix artisans have restored subtle features of George Stanley’s original sculpture, which was based on sketches by MGM art director Cedric Gibbons. The overall size of the statuette remains the same.

ELITE AD 2016

“With this project, we’ve been entrusted with continuing a great tradition,” said Dick Polich, Polich Tallix founder and CEO. “It’s a privilege to be able to bring our art experience and technical expertise to the Oscar.” Polich Tallix started its Oscar-making process by creating digital scans of the 1929 statuette and a modern-era pedestal base. The digital Oscar was then 3D-printed and molded so the form could be cast in wax.

Each wax statuette is coated in a ceramic shell that is cured and fired at 1,600°F, melting the wax away and leaving an empty Oscar-shaped form. The statuettes are then cast in liquid bronze at more than 1,800°F, cooled, and sanded to a mirror polish finish. The figure portion of each Oscar is electroplated with a permanent layer of reflective 24-karat gold by Epner Technology, a renowned high-tech specification electroplating company in Brooklyn. The statuette’s bronze base receives a smooth black patina, which is hand-buffed to a satin finish. The time required to produce 50 statuettes in this manner is about three months.

At a height of 13.5 inches and weight of 8.5 pounds, the new Oscar retains the basic physical characteristics of its immediate predecessor, which had been made by Chicago-based R.S. Owens & Company since 1982. The Academy will continue its long relationship with R.S. Owens to service existing statuettes and create other awards for the Academy, including plaques for its annual Scientific and Technical Awards.

Polich Tallix, founded by Polich in 1972, combines advanced technology with world-class craftsmanship as it strives to create works of art that preserve each artist’s unique purpose and vision. The 88th Oscars® will be held on Sunday, February 28, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

The L.A. Art Show (2016)

Review by Bruce Edwin

If you must skip church on Sunday (next year on January 15th 2017), don’t feel guilty, just go to the L.A. Art Show instead– it’s one of the best religious experiences you can have. Yes, great art to me can be like a religious experience. For it is artists that the great religions of the past adorned on their cathedrals. It is the artists that the Kings and Queens cherished, treating like royalty among their court. It is the great artist of today whose works sell for millions of dollars for one painting, and are clamored at by the rich and famous. Great art is not only an investment, and a treasure, it is a look inside the soul of its creator, and at its best, a glimpse to the divine of eternity itself.

And so, if you love art–and I can not imagine any one who does not, then you simply must attend the Los Angeles Art Show if you live in L.A. If you do not live here, when you do visit, definitely plan your trip around this show, as it is extraordinary. I spent at least 12 hours this year across numerous days visiting the show, and still probably missed some things.

Whether you are a dealer, collector, or simply a spectator, the L.A. Art Show is greatly entertaining, and a perfect way to take in thousands of great pictures from over 100 top art galleries from around the world.

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Hollywood Sentinel Art Writer Moira Cue walked out with at least one new purchase from the show this year, and I spoke with many gallerists and artists from the show this year who did exceptionally well, and were very happy with their sales, which was great to hear.

After navigating the parking, and long walk to finally get in to the show, one enters the glass doors of the massive North West wing of the Los Angeles Convention Center. The first thing one saw this year, past the red carpet, was a massive plushy Teddy Bear art piece, that looked like he was about 500 pounds overweight, with rolls of faux fur fat, that was a big hit.

unknown teddy

Near that, was a shiny bright red sucker by artist DOC that at least one Korean woman was having her picture taken near, pretending to lick the several foot tall piece.

The real estate brokerage company called THE AGENCY, that specializes in luxury properties and decor gave a free lecture, and had another very large VIP area that one evidently needed some type of credentials to get in to, where one could sit down on some sexy soft chairs by RAPPORT INTERATIONAL FURNITURE, and look at some fancy decor, including a very nice mirror with an image of David Bowie on it that I liked. The area, giving guests the very real L.A. experience of feeling like either a somebody, or a nobody. I sat down for a minute here, and quickly met a woman whose husband is a TV producer and writer. Small town.

REIKI WITH JACLYN- HOLLYWOOD SENTINEL

The Fine Art Dealers Association (FADA) was back.  One of the young women representing them this year was a tall, pretty Asian girl who; after I told her she looked like a model, admitted she was signed with a local agency.

The Media area was back, with ART SCENE kindly giving away its publication, as well as free sign up’s to their great e-mail list. Other free publications at hand included AMERICAN ART COLLECTION, BUSINESS JET TRAVELER, THE ARCHITECTS NEWSPAPER, GOOD MAGAZINE, SANTA FEAN, and the longstanding FABRIK and ARTILLERY. Another art mag was there I vaguely recall the name of, but a sign was present stating not to take it, which I was tempted to do anyway, but didn’t. Oh well. With no one even at that table, I’m sure they were selling a lot of that one. Other free publications included copies of ARTS & ANTIQUES, L.A. ART NEWS, and ANGELINO, with a great cover of the beautiful, and all grown up CHLOE GRACE MORETZ–wow.

While this years show was smaller than recent L.A. Art Shows of former years; most noticeably, ending the majority of the antiques and jewelry booths as well as ending most of the prints booths, this years show did get far more edgy, with numerous performance artists, which the show had not had much of before.  All of this years performance artists were female, most of whom decided to go topless–not that anyone seemed to be complaining.

While there were not many, there were some children at the L.A. Art Show, so it would probably be a good idea to let parents know beforehand that some of the performance art is PG rated. With that stated, I would applaud any parent that brings their children to such as great event as the L.A. Art Show, which is certainly more educational and healthy for any kid, than the latest twerk fest.

Performance artist MILLIE BROWN, positioned right near the left entrance and on the way to the classical side, spent her time lying down topless in her underwear on a wooden flower bed, surrounded by pretty flowers (that were supposed to be decaying). I don’t think anyone saw any flowers decaying, however they did see Millie’s bare chest, with large crowds regularly gathering around her, taking photos, and many men walking away either smiling or blushing. Millie was the artist who performed recently with Lady Gaga, throwing up day glo paint on stage. Yum–the art of sick. At least this time she didn’t do any of that.

MILLIE BROWN HOLLYWOOD SENTINELMELANIE PULLEN attracted large crowds with her performance art, titled “High Fashion Crime Scenes,” which is stated in her biography to be about stopping violence against women. At one time I saw the artist in a scene mock hanging herself from a tree, and in another scene, she was crawling on top of another women, with both in a short dress and heels, under rock concert like green and red lighting, eating the entrails of the woman below her, seeming to enjoy it all as the crowd stared in awe and taking photos. While I don’t know how many spectators thought of the actual historical crimes she depicted, and how violence against women should be stopped, they were all at least riveted to watching her, like a bloody accident one passed by and could not take their eyes off of. Some were compelled, others were simply grossed out, a few others turned away. Marilyn Manson would be proud of her organ eating work, which; beautifully lit and composed, was like a cross between a well made horror film shoot, and the theatrics of a satanic rock concert ending in a blood orgy to ‘The Cure,’ which she played.

AN UNKNOWN performance art installation occurred at or near the Chinese exhibition area, which entailed yet another young woman in her underwear and topless, standing in a small glass enclosed room, on view for the crowd to see that gathered to watch her. This performance consisted of her just standing there; texting on her cell phone, with two TV monitors outside of the glass box on the wall, which viewers could see. One monitor screen showed her standing there texting, and the other screen was a digital ‘read out’ of the texts she was typing, which were a bit frequent and long. This attractive young woman later was gone, and the next time I passed by, one caught sight of an elderly nude woman hunched over in a fetal position on her knees in the glass room. I have no idea who the artist or gallerist was, as I did not see any indication of that, so if someone knows, feel free to inform me and we will publish the updated information.

ACE GALLERY in Beverly Hills, as usual, had some outstanding work, and dominated a large area near the front of the show. ALEXANDER YULISH here, being my favorite at Ace.

The NATIONAL BASE FOR INTERNATIONAL CULTURAL TRADE (Shanghai), supported by the Bureau for External Cultural Relations Ministry of Culture, People’s Republic of China, brought us VISIONS OF CHINESE CONTEMPORARY ART, EMOTIONS AND SENTIMENTS, which was nearly as big as its name. This area consisted of many booths of Chinese based artists, with a few simply being American based artists, that were Chinese. I really enjoyed many of these artists work.

TONY SONG here, had some very nice works, and told me he was selling his works very well. JUSTIN Y. had some interesting works called ‘finger painting,’ which were very bright and colorful. Works here by SHEN XIANGYIN were very nice, as were the works of ink on rice paper by WANG FEI. SHEN CHUN XIA, who was kind, made some pretty works, including paintings of Chinese slippers which are very pop. She also designs Kimonos, which are very elegant.

Artist BOUN, also from China, was a nice man, and creates some very bright, colorful work using a method slightly similar to Warhol’s diamond dust technique, except mixing it undetectably in to the paint itself, and using various other gemstones, to add to the pigments’ hue.

LI XIA was a very nice artist, who made some great works, that I had the pleasure to interview, which will be running in a near future issue here. LI XIA graciously thanked me for my support, telling me that my praise of her work gave her new confidence that she had not had before. It must have, for she went on the next day to sell two works! Hey, where’s my commission? Just kidding. One of the titles of her works is called ‘Women General of yang Family,’ which is one of the ancient Chinese warrior tribes, in battle, led by a female warrior.

LIAHONA SPACE was a Chinese collective that also had some very nice works by Chinese artists. Artist LIU DADI was back, with some great black and white works. Last year, Dadi wowed the crowds with some outstanding color, nude works of the female form, which were very provocative. This year, he was back with some excellent, mixed media, black and white abstract works. Dadi expertly blends painting and photography, for some very unique and compelling pieces.

South Korean artist MARI KIM was heavily represented, with a booth of her work that she sat at, and also with her paintings over at the booth for SM Fine Art Gallery, which is located somewhere in Southern California, though I could not find their address on her biographical card. I did a brief interview with Mari, who looks like a young fashion model more than a successful, world wide artist, which she is. You’ll see what I mean in the next issue of The Hollywood Sentinel when we run that. Her work itself is quite exceptional, reflective a bit of legendary Japanese artist Takashi Murakami. Part pop, and part animie, Maori Kim even throws in some bright bursts of neon lighting in text bubbles with English language print to communicate directly with her audience, which she told me she likes to do.

LILIANA GOLUBINSKY made a great work titled ‘Walking on Water,’ at SASHAD EDPACIO De ARTE from Argentina. Walter, with WALTER WICKISER GALLERY in NYC was cordial to speak with, and has some great artists including by his father, RALPH WICKISER, and two other artists who I will be covering in great detail in a future issue here. including Finnish artist SOILE YLI MAYRY, whose colorful abstract work is exceptional.

Jane with ECKERT FINE ART in Pine Plains, NY was also very cordial to speak with, and represents an outstanding artist who she taught me, trained with Warhol in The Factory; HUNT SLONEM, who I will also be covering in greater detail in a future issue. Artist RYUMA IMAI had some nice work, from Tokyo.

REHS GALLERIES in NYC is one of my favorites, having some of the finest master works as well as contemporary art. With a contemporary booth and classical era booth this year, REHS has works by artist DAVID PALUMBO, who does some nice figurative work of the female form. While I did not see the following works here this year, their catalog also boasts a great work by CHRIS POUSETTE-DART, and the stunning work of ‘La Jeune Laitiere avec son Troupeau, by JULIEN DUPRE’, (1851-1910) which I have seen before in person a former year at the L.A. Art Show with REHS, and is of stunning quality. Similarly exciting in their catalog is GUY CARLERON WIGGINS, ‘The Library Winter,’ and JOHANN BERTHELSEN, ‘42nd Street & Vanderbilt Avenue, Grand Central Station,’ which I have also seen here in person, which for any New Yorker or one who has traveled to NYC and been at this location, makes it further special.

LAMA (Los Angeles Modern Auctions) within the show had some nice prints, original paintings, sculpture, and furniture. Here, TIM HAWKINSON has created a great, bizarre work called ‘Sweet Tweet,’ which I will cover later here with an image.

Artist JANA CRUDER displayed a cool sculpture she made called ‘Immortalization of Self,’ a figure of the Greek Goddess Venus, taking a selfie. I suggest that next time she displays it, it be put on a taller structure, rather than just sitting on the floor, and be properly lit, which is the artists’ or gallerists’ decision to do or not.

Artist MIKI YOKOYAMA made some pretty, ornate works on display. Another very popular artist was LLUIS BARBA’s work, at THE CYNTHIA CORBETTE GALLERY. Barba, born in Spain, reworks iconic artworks, introducing modern pop icons into the pieces, in a very unique manner, which the crowds loved. More nice work at Corbette included that by DEBORAH AZZOPARDI, which references LICHTENSTEIN in her press.

BRUCE LURIE GALLERY, in Culver City in Los Angeles, had some great works as always, and was very popular. Bruce Lurie told me that he gave BASQUIAT his first show in New York, and has been a major player in the art world for decades, both in NYC, Miami, and now L.A., with a focus on pop art and contemporary photography.

KAZUHIRO TSUJI, had a work stuck way in the back of the show, yet that dominated, with large crowds constantly gathered around it photographing it; a hyper-realist sculpture of the icon painter; FRIDA KHALO, truly an extraordinary work that I, like everyone, loved. Last year, Tsuji displayed his ANDY WARHOL sculpture here, which was equally great. The artist or gallerist however, was unfortunately, no where to be seen as far as I could tell.

SKIDMORE CONTEMPORARY from Santa Monica was back with BRIGHTON SMITH who does some nice pop work including ‘Rainbow Heels.’ SUSAN TELLER GALLERY in NYC showed some nice works by PEGGY BACON. Artist LORETTA TEARNEY WARNER created some very pretty works out of fabric, reflective of the Greek pre-classical era.

Another one of my favorites, and one of the best gallerists here; DAPHNE ALAZRAKI FINE ART from NYC was back, who also has an office in LaJolla, California. JEAN PIERRE CASSIGNUEL’s work here of ‘Les Tentes Bleues,’ being one of my favorites. Daphne is always cordial.

Another outstanding gallery, GEORGE STERN FINE ARTS, in Hollywood, California, showed another one of my favorites, ‘The Rose Arbor,’ by LAWTON PARKER (1868-1954) which is of great quality.

best in show--2016Lastly, my favorite art piece this year was at GUARISCO GALLERY, in Washington DC. With great works by masters including RENOIR, my favorites on display at this gallery this year were by JEAN-PIERRE CASSIGNEUL, known according to their catalog for his “depiction of ethereal, mysterious women.” I also loved the PISSARRO piece here, yet my favorite work in the entire show being the stunning piece here by ROUAULT, titled ‘Carlotta.’ A masterful portrait of a young female, the quality of this work is extraordinary, with its composition, layers of paint, and color, lending a myriad of dimensions of perception to its brilliance. A bargain at just under $300,000, that any one with over a million liquid would be silly not to buy.

ANNE HATHAWAY PHOTO BY BRUCE EDWIN

Last but not least, the most exciting part of the L.A. Art Show this year, was the Opening Night Premiere Party, otherwise known as the Patron’s Ball. At $250 per ticket, patrons were treated to the VIP area the night before the show was even open to the public. In the VIP area, guests enjoyed complimentary fine dining, drinks, wines, desserts, and a cool spoken word artist. VIP Patrons had the opportunity to purchase raffle tickets to win various exceptional prizes, with all proceeds going to St. Jude Children’s Research Hospital. Hosts for the evenings festivities was none other than the legendary, beautiful, and talented singer, dancer, and Academy Award winning and Golden Globe winning actress; Anne Hathaway, and her charming husband, Adam Shulman.

I selected ANNE HATHAWAY as one of The  Hollywood Sentinel’s Top 10 Hottest Actresses of our time a number of years ago, referencing her mastery of her craft not merely as an actor, but like a star from the Golden Age of cinema; also as a dancer and singer. A truly legendary talent and beauty, it was to say the least, a great honor for me to meet one of my favorite actresses of our time.

Not to disappoint, Anne Hathaway was cordial, charming, lovely, and down to Earth, graciously shaking hands, posing for photos, and sitting down right along with the rest of the crowd. Her husband ADAM SHULMAN was a total gentleman; equally kind, gracious, and charming, and even smiling and telling me goodbye as I waved to him on my way out. What a great couple, and wonderful people!

Anne Hathaway seems to be simply an awesome human being. She took the stage before the hundred or so crowd of us, telling how for the past twelve years, she has donated her time visiting ST. JUDE CHILDREN’S RESEARCH HOSPITAL, which she told us, is the countries best, top quality hospital for children diagnosed with cancer. The other amazing thing about the hospital, founded by DANNY THOMAS, is that the treatment to all the children they care for, is totally free, supported by the hospital and the kind donations they receive, from people such as the VIP Patrons of the Arts at The L.A. Art Show, and wonderful celebrities including Anne Hathaway, as well as last years VIP Gala host for the L.A. Art Show, AMY ADAMS, among more.

A cancer survivor took the stage, introduced by Anne, and told of how St. Jude made him feel as safe and calm as possible, and gave him a new chance at life. During his story, the sweet Anne Hathaway got tears in her eyes, standing on stage behind the boy, now around 17. Some others in the crowd, including myself, got teary eyed as well, as he happily stated how he was now cancer free, and pursuing his dream of being an actor. As he described some of his recent acting successes with good nature, Anne smiled and laughed. It was a beautiful momentous filled night with one of Hollywood’s greatest stars, and all for a great purpose.

Anne Hathaway reminded us that she knew there were many other big things going on this night, including a big sports game. Yet, she said, she felt that this was the best place to be at this moment on Earth; seeing great art, enjoying great food and drink, seeing wonderful people, and supporting such a great and important cause as St. Jude. I couldn’t have agreed more; except I would add to that, also spending the evening with one of the most lovely, talented stars of all time–Anne Hathaway; thank you, for all you do, we love you.

And so with that, you really can’t get any bigger or better than the L.A. Art Show. Other stars were out in full force for the opening VIP night. HARRISON FORD was reportedly running around somewhere, probably buying some great art, and at least 30 or so other celebs were here. Thank you to KIM MARTINDALE (LA Art Show Producer / Partner), and to SCOTT DIAMENT (President and CEO) who I also had the great pleasure to meet. A very special thanks also to AGNES for the very kind support after all of these great years covering this amazing show. It was a whirlwind weekend and week as usual, and it all went too quick. I miss the show already!

PALM BEACH JEWELRY, ART & ANTIQUE SHOW will be held from February 10-16, 2016, and be sure to mark your calendar now, THE LOS ANGELES ART FINE ART SHOW and L.A. ART SHOW will be back January 11-15, 2017!

Further coverage on Anne Hathaway at the LA Art Show will appear in our next issue, as well as interviews with the artists noted herein, and more coverage of the show.

In additional art news, the show; ANDY WARHOL; LIFE AND LEGENDS is going on now which started January 16th, and goes until April 3rd, 2016, at the Pepperdine Museum in Malibu. Admission is free!

This content is copyright, 2016, Bruce Edwin / The Hollywood Sentinel, all world rights reserved.

Chill E.B–Fearless, Defiant, and Resolute

Chill EB cover

Facing Reality

Before the Nazis started rounding up Jews and sending them to the gas chambers, they had the local police in Germany and Poland go around collecting guns and knives from all Jewish households. Today, a new branch of government you probably have never heard of, has suggested that all Americans forcibly be ‘tested’ for depression.  That fact should greatly alarm ‘every’ freedom loving American on the planet. Let me repeat that fact:

An Advisory Panel of the U.S. Government Wants to Force Every American to Have a Psychiatric Evaluation

That my friends, ‘is’ insanity, and the clear definition of the attempted creation of a psychiatric, totalitarian, police state. This should also be ‘headline’ news, and should be discussed by every major news outlet in America on a daily basis until the idea is stopped dead in its tracks for the fascist idea that it is, but unfortunately, it is largely not even a matter of public knowledge!

With the exception perhaps of, USA Today, which disturbingly reported the news in a favorable light, linking to a 10 question ‘depression survey,’ that ends by asking for the participants personal information, so they can be contacted by a psychiatrist, most mainstream media has not even properly covered this, save for those serving as a free mouthpiece to promote this disturbing plan. The early version of this creeping agenda, to attempt to forcibly screen every pregnant woman, was reported widely, including by The New York Times, which again, was favorable to the plan. This agenda is not a conspiracy theory, it is a fact, which you can research yourself.

Whether you believe in the use of psychiatry and psychiatric drugs or not, whether you like the music of the artist below, or the links to the persons or groups herein detailed or not, you must surely agree, as a freedom loving human being, that to attempt to ‘force’ any one to have a so called ‘depression screening’ is a tyrannical act, and has no place in a free society. We are not even talking about the individual who exhibits signs of insanity, such as one who is endangering the lives of the public, that they want to test. But rather, they want this new governmental mandate to be forced upon ‘all’ Americans. First, they began the forced introduction of toxic Genetically Modified Organisms they don’t want you to know about, and now, they are attempting to initiate forced psychiatric ‘tests’ which is the first step to forced psychiatric institutionalization, and forced psychiatric drugging among more.

Becoming Aware of the Threat is the First Step to Stopping Abuse

Friends, it has been said that those that do not speak up and fight for their freedom when they see it being taken away, do not deserve it. I am by no means suggesting that ‘you’ do not deserve your freedom. On the contrary, I suggest that you do. And so, we ask you to read on about one brave artist who is doing something about this trend, and how you can too.  So the good news is, we are aware, we are here, and we are standing up for our rights and the rights of all. Read on, visit the links, read the rest of this site, check back here often, contact us with ‘comments’ that we may choose to possibly publish via the ‘contact’ button at the left of this page, and share this article and site with everyone you know and everyone you are in contact with. Being aware of a threat is the first step to stopping abuse. Enjoy the new issue.

Chill E.B. Rocks the World with Message of Truth–An Exclusive Interview

–By Bruce Edwin

Chill EB. The Hollywood Sentinel

To those who say that music is unimportant to life, let them try live without out it. Music touches the soul. It is the heart of a nation, a city, a scene, or an individual. Nations have ‘National Anthems’ that lift up countries in efforts at patriotism. The most important landmarks of life or the remembrance of life are commemorated with music at marriages, funerals, peace marches and victory parades. Music can bridge colors, races, creeds and lands. It can lift up the soul and bring happiness like few art forms can. Music is the heart of worship among countless religions, the bond that binds groups in unity, victory, and love. Music is not merely important to life, music ‘is’ life, and without it, life itself would be near meaningless; a mute player, yearning to sing, stumbling through a silent land of light and shadows.

The Power of Rap

One of music’s greatest powers is the power of change through the message of ‘the word.’ The musical genre known as rap gave rise to its greatest stars when its artists were the bravest, speaking out against racism, poverty, discrimination, police brutality, slavery, and more. Of the small handful of rap pioneers that escaped the underpinnings of drugs, gang violence, and misogyny in their lyrics or life, perhaps only three such acts remain; Public Enemy, M.I.A., and Chill E.B.

Dropping on the world a myriad of powerful new singles with a unified message, Chill E.B. infuses politics, social commentary, and human rights into his message to help galvanize a new generation to seek better education, take direct action, and institute positive change regarding one predominant culprit that he has chosen to bravely take on; The #1 Killer in the United States, according the The Los Angeles Times; The major pharmaceutical companies, otherwise known as ‘Big Pharma,’ and within them, the psychiatric industry, and these two institutions widespread and historic abuses of life, health, and human rights.

Human Rights Activist

Trailblazing rap artist, actor, humanitarian, community activist and youth advocate, Chill E.B. has the unique gift that a select few artists have; a powerful, galvanizing voice, a strong, poetic, lyrical creation, and a musical mastery of the songwriting field. With this unstoppable combination, he has been jet setting around the world, literally, for the past several years, tearing up stage after stage, in front of hundreds of thousands with his message of truth and hope.

Born in Jacksonville, North Carolina, Chill E.B. spent the majority of his early childhood in Germany. Just following high school, he served in the U.S. Army. At an intimidating 6 foot 5 inches tall, the United States Veteran later received a basketball scholarship to Lon Morris Junior College and East Texas State University, which he accepted.

Prove It!

While attending university, he had a role in a theatrical play called “Judgement Of The Troublemakers.” Screen legend James Earl Jones who was in attendance, and was moved by Chill E.B.’s performance. Mr. Jones encouraged him to continue to pursue the arts further, which he wisely did.

www.chilleb.com

After a few semesters Chill E.B. moved to California. Soon after, he released his first single “Freedom” on an independent label. He received national attention in 1992 with his video “Menace To Society”, which was played on rotation across American television screens (BET, Video JukeBox and California Music Channel).

Menace to Society

Chill E.B. was inspired to write his defiant song “Menace To Society,” when he heard a tragic story about a 13 year old boy who dealt drugs to help feed his mother and sister. In the year 1993, Punk rock legend Jello Biafra of the Dead Kennedy’s heard Chill E.B. at a gig Chill E.B. played at. Jello soon thereafter released Chill E.B.’s 1st EP, entitled “Born Suspicious,” on Alternative Tentacles Records. Chill E.B.’s songs were also placed in motion picture films and T.V. shows including “NBC movie of the week Father & Son,” “Dangerous Relations,” “Nash Bridges,” and “Harts of the West” on CBS, among more.

Chill E.B, also an accomplished voice over talent and screen actor, then recorded the theme song for the Golden State Warriors “Don’t Stop The Noise.” He appeared in the Warner Brothers movie “Mad City,” and on National commercials including those for Sega Genesis, The San Francisco Giants, Partnership For Drug Free America, Nike, Nickelodeon, and the National Basketball Association, (NBA), among more. He most recently was hired to create the hit “Oakland Raiders Theme Song,” titled ‘Raider Nation,” for the 2015-2016 season.

Y’all Busted!

In 1994, Chill E.B. took a break from recording to start a family, returning later, with a fury. In 2008, he created his own record label; Kathartic Music Group, and in 2010, he dropped on the world his controversial single titled “Y’all Busted,” a damning indictment of the psychiatric industries greed, corruption, and abuse.

Define Better

His next searing hit single, “Define Better,” continued his theme of confronting crooks, con artists, and killers in the psychiatric industry head on, challenging the billion dollar industry to explain mental labels and their so-called ‘cures,’ that are created anew each year. The undeniably great song commanded headlines around the world. A-List stars John Travolta and Kelly Preston even showed their support by putting Chill EB’s video on their websites. A flurry of newspapers around the country and world courted controversy, by covering Chill E.B’s daring new work, with slants of sensationalism.

www.chilleb.com

On a massive international world tour since 2010, Chill E.B. has impressively injected his music into the hearts and minds of countless crowds in over 25 countries, and growing. Due to his staunch activism to spread the truth and confront evil head on, he has received a growing list of commendations and humanitarian awards, including;

-Proclamation from the Mayor of Jacksonville, NC proclaiming August 14 as Chill E.B. Day

-California Peace Award, presented by The California Wellness Foundation, and

-CCHR Human Rights Award, for his “outstanding contribution through music to raising awareness about a child’s right to be label and drug free,” among more.

It doesn’t get much better than that when it comes to making the world a better place, through the art of music. And with that, we are very pleased to bring you here our second rare, exclusive interview with rap star Chill E.B.

Listen to that now, here, by clicking on the left arrow in the link here below. Users of Firefox are encouraged to listen via Chrome or i.e. if delay occurs.

Visit the official website of Chill E.B. at:  www.chilleb.com

Psychiatric Abuse

On his official site, Chill E.B. reminds us that, “Planet wide, psychiatrists have hooked over 100 million people on psychotropic drugs that bring in over $80 billion per year.

Psychiatrists receive over $20 billion a year prescribing powerful psychotropic drugs to children for ADHD-just one of over 300 so-called “diseases” and “disorders” which have never been clinically proven to exist.

Insurance companies pay out more than $69 billion dollars every year for psychiatric services, doubling the cost of medical insurance premiums. Meanwhile, psychiatry contains the highest incidence of fraud of all the “healing” professions.

Psychiatrists electroshock 2 million people a year, killing 10,000. For $12 worth of electricity, American psychiatrists rake in $5 billion a year. Nearly twice as many Americans have died in government psychiatric hospitals alone in the past four decades than in ALL U.S. wars since 1776. While raking in over $2 trillion dollars every year, psychiatrists cannot point to a single cure.

Education

The attack on education was essential to psychiatry’s future because in the schools, psychiatrists and psychologists could turn the next generation into lifelong customers of their psychiatric drugs. Today, teachers are required to evaluate their students not on academic performance, but against a checklist of behaviors based on psychiatry’s diagnostic manual. In the past 40 years, money doled out to psychiatrists and psychologists to improve literacy in American schools has soared to more than $28 billion dollars, while through those same 40 years functional literacy rates have plunged.” (source: CCHR)

For more information on the truth about the psychiatric industry, visit www.CCHR.org

U.S. Government Panel Wants to Force Psychiatric Screening on All Americans

According to politician Ron Paul, “The United States Preventive Services Task Force recently recommended mandatory depression screening for all Americans. The task force wants to force health insurance companies to pay for the screening.”

Freeze! You Look Unhappy!

Mr. Paul further states, “If the preventive task force has its way, Americans could lose their Second Amendment, and possibly other, rights simply because they happened to undergo their mandatory depression screening when they were coping with a loved one’s passing or a divorce, or simply having a bad day. As anyone who has been mistakenly placed on the terrorist watch list can attest, it is very difficult to get off a government database even when the government clearly is in error. Thus, anyone mistakenly labeled as depressed will have to spend a great deal of time and money in what may be a futile attempt to get his rights back.”

Forced Drugging

Ron Paul adds, “Mandatory depression screening will endanger people’s health by increasing the use of psychotropic drugs. These drugs often have dangerous side effects. Their use has even been linked to suicide. The fact that almost every mass shooter was on psychotropic drugs is another good reason to oppose any policy that will increase reliance on these medicines.”

An Industry of Opinion

Mr. Paul continues, “The Preventive Services Task Force’s mandatory depression screening mandate is based on the fallacy that diagnosing mental health problems is analogous to diagnosing cancer or diabetes. Even mental health professionals acknowledge that there is a great deal of subjectivity in mental health diagnosis.”

The Politics of Social Control

Ron Paul adds, “Consider that until 1973 homosexuality was considered a mental disorder by the American Psychiatric Association. Today, some mental health professionals think that those who believe in limited government, free-market economics, or traditional values suffer from mental disorders. If mandatory depression screening becomes a reality, it is likely this mental health screening will be expanded to cover screening for other mental illnesses. This could result in anyone with an unpopular political belief or lifestyle choice being labeled as ‘mentally ill.'”

Attempting to Destroy a Free America

Lastly, Ron Paul reminds us, “Even if mandatory health screening could be implementing without increasing costs or threatening liberty it would still be a bad idea. Government health care mandates undermine the basic principles of a free society. If it is legitimate for government to tell us what types of health care we must receive, then it is also legitimate for the government to tell us what to eat, when to exercise, and even how to raise our children. To paraphrase C.S. Lewis, a tyranny imposed for our own good is the worst form of tyranny because it is a tyranny without limits. All who love liberty must therefore oppose mandatory depression screening, or any other health care mandate.”

The above abridged information from Mr. Paul is taken with permission, from the official Ron Paul website, and is copyright, 2016, Ron Paul. All world rights reserved (‘Headlines’ are copyright, 2016, The Hollywood Sentinel. To read the full article, and learn more about Mr. Paul, visit the Official Ron Paul Website at: http://ronpaulinstitute.org/

Visit back issues of The Hollywood Sentinel at www.TheHollywoodSentinel.com

Who Killed Elvis?

Big Pharma and an unethical doctor, that’s who. The Dr. who helped kill Elvis has died. 88 year old Dr. George C. Nichopoulos, Elvis’ doctor when he overdosed in 1977, and years prior, died Wednesday in Memphis. He lost his medical license for over-prescribing addictive drugs for years to numerous patients. Good riddance.

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This entirety of this content (excluding citations by Ron Paul, which is copyright, 2016, Ron Paul),  is copyright, 2016, The Hollywood Sentinel, USA, all world rights reserved. No part of this written, recorded or visual content may be produced in whole or in part without express written permission from The Hollywood Sentinel and the office of Bruce Edwin. The Hollywood Sentinel, subnormal magazine, Chill E.B., and affiliates are not responsible for any real or alleged physical, mental, psychological, emotional, spiritual, educational, philosophical, epistemological, or any other possible claimed damage or damages from reading, watching, or listening to this content which are the express viewpoints of the artist(s). Prove it! –subnormal magazine