Tag Archives: The Oscars

93rd Oscars® Nominations Announced

 Actor-producer Priyanka Chopra Jonas and singer, songwriter and actor Nick Jonas announced the 93rd Oscars® nominations today (March 15), live from London.

Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and International Feature Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

Active members of the Academy are eligible to vote for the winners in all 23 categories beginning Thursday, April 15, through Tuesday, April 20.

The 93rd Oscars will be held on Sunday, April 25, 2021, at Union Station Los Angeles and the Dolby® Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on ABC at 8 p.m. ET/5 p.m. PT.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

Nominations for the 93rd Academy Awards

Best motion picture of the year

  • “The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers
  • “Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers
  • “Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers
  • “Minari” Christina Oh, Producer
  • “Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers
  • “Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers
  • “Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers
  • “The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Best Motion Picture of the Year–Nomination Facts:

The Father (Sony Pictures Classics) – David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers – This is the second Best
Picture nomination for David Parfitt. He won an Oscar for Shakespeare in Love (1998).
This is the first nomination for both Jean-Louis Livi and Philippe Carcassonne.
Judas and the Black Messiah (Warner Bros.) – Shaka King, Charles D. King and Ryan Coogler, producers – This is the first Best
Picture nomination for all three.
Mank (Netflix) – Ceán Chaffin, Eric Roth and Douglas Urbanski, producers – This is the third Best Picture nomination for Ceán
Chaffin. Her other nominations were for The Curious Case of Benjamin Button (2008) and The Social Network (2010).
This is the first Best Picture nomination for Eric Roth.
This is the second Best Picture nomination for Douglas Urbanski. His other nomination was for Darkest Hour (2017).
Minari (A24) – Christina Oh, producer – This is her first nomination.
Nomadland (Searchlight) – Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers – This is the
first Best Picture nomination for Frances McDormand, Mollye Asher and Chloé Zhao.
This is the second Best Picture nomination for Peter Spears. His other nomination was for Call Me by Your Name (2017).
This is the second Best Picture nomination for Dan Janvey. His other nomination was for Beasts of the Southern Wild (2012).
Promising Young Woman (Focus Features) – Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers – This is
the first Best Picture nomination for all four.
Sound of Metal (Amazon Studios) – Bert Hamelinck and Sacha Ben Harroche, producers – This is the first nomination for both.
The Trial of the Chicago 7 (Netflix) – Marc Platt and Stuart Besser, producers – This is the third Best Picture nomination for Marc
Platt. His other nominations were for Bridge of Spies (2015) and La La Land (2016).
This is the first nomination for Stuart Besser.

Performance by an actor in a leading role

  • Riz Ahmed in “Sound of Metal”
  • Chadwick Boseman in “Ma Rainey’s Black Bottom”
  • Anthony Hopkins in “The Father”
  • Gary Oldman in “Mank”
  • Steven Yeun in “Minari”

Performance by an actor in a supporting role

  • Sacha Baron Cohen in “The Trial of the Chicago 7”
  • Daniel Kaluuya in “Judas and the Black Messiah”
  • Leslie Odom, Jr. in “One Night in Miami…”
  • Paul Raci in “Sound of Metal”
  • Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

  • Viola Davis in “Ma Rainey’s Black Bottom”
  • Andra Day in “The United States vs. Billie Holiday”
  • Vanessa Kirby in “Pieces of a Woman”
  • Frances McDormand in “Nomadland”
  • Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

  • Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
  • Glenn Close in “Hillbilly Elegy”
  • Olivia Colman in “The Father”
  • Amanda Seyfried in “Mank”
  • Yuh-Jung Youn in “Minari”

Best animated feature film of the year

  • “Onward” Dan Scanlon and Kori Rae
  • “Over the Moon” Glen Keane, Gennie Rim and Peilin Chou
  • “A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley
  • “Soul” Pete Docter and Dana Murray
  • “Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Achievement in cinematography

  • “Judas and the Black Messiah” Sean Bobbitt
  • “Mank” Erik Messerschmidt
  • “News of the World” Dariusz Wolski
  • “Nomadland” Joshua James Richards
  • “The Trial of the Chicago 7” Phedon Papamichael

Achievement in costume design

  • “Emma” Alexandra Byrne
  • “Ma Rainey’s Black Bottom” Ann Roth
  • “Mank” Trish Summerville
  • “Mulan” Bina Daigeler
  • “Pinocchio” Massimo Cantini Parrini

Achievement in directing

  • “Another Round” Thomas Vinterberg
  • “Mank” David Fincher
  • “Minari” Lee Isaac Chung
  • “Nomadland” Chloé Zhao
  • “Promising Young Woman” Emerald Fennell

Best documentary feature

  • “Collective” Alexander Nanau and Bianca Oana
  • “Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder
  • “The Mole Agent” Maite Alberdi and Marcela Santibáñez
  • “My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster
  • “Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Best documentary short subject

  • “Colette” Anthony Giacchino and Alice Doyard
  • “A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers
  • “Do Not Split” Anders Hammer and Charlotte Cook
  • “Hunger Ward” Skye Fitzgerald and Michael Scheuerman
  • “A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Achievement in film editing

  • “The Father” Yorgos Lamprinos
  • “Nomadland” Chloé Zhao
  • “Promising Young Woman” Frédéric Thoraval
  • “Sound of Metal” Mikkel E. G. Nielsen
  • “The Trial of the Chicago 7” Alan Baumgarten

Best international feature film of the year

  • “Another Round” Denmark
  • “Better Days” Hong Kong
  • “Collective” Romania
  • “The Man Who Sold His Skin” Tunisia
  • “Quo Vadis, Aida?” Bosnia and Herzegovina

Achievement in makeup and hairstyling

  • “Emma” Marese Langan, Laura Allen and Claudia Stolze
  • “Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney
  • “Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
  • “Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff
  • “Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in music written for motion pictures (Original score)

  • “Da 5 Bloods” Terence Blanchard
  • “Mank” Trent Reznor and Atticus Ross
  • “Minari” Emile Mosseri
  • “News of the World” James Newton Howard
  • “Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in music written for motion pictures (Original song)

  • “Fight For You” from “Judas and the Black Messiah”
    Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas
  • “Hear My Voice” from “The Trial of the Chicago 7”
    Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
  • “Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
    Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
  • “Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
    Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
  • “Speak Now” from “One Night in Miami…”
    Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Achievement in production design

  • “The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
  • “Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
  • “Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
  • “News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan
  • “Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best animated short film

  • “Burrow” Madeline Sharafian and Michael Capbarat
  • “Genius Loci” Adrien Mérigeau and Amaury Ovise
  • “If Anything Happens I Love You” Will McCormack and Michael Govier
  • “Opera” Erick Oh
  • “Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

  • “Feeling Through” Doug Roland and Susan Ruzenski
  • “The Letter Room” Elvira Lind and Sofia Sondervan
  • “The Present” Farah Nabulsi
  • “Two Distant Strangers” Travon Free and Martin Desmond Roe
  • “White Eye” Tomer Shushan and Shira Hochman

Achievement in sound

  • “Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
  • “Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
  • “News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
  • “Soul” Ren Klyce, Coya Elliott and David Parker
  • “Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in visual effects

  • “Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox
  • “The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
  • “Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
  • “The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
  • “Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Adapted screenplay

  • “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad
  • “The Father” Screenplay by Christopher Hampton and Florian Zeller
  • “Nomadland” Written for the screen by Chloé Zhao
  • “One Night in Miami…” Screenplay by Kemp Powers
  • “The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

  • “Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas
  • “Minari” Written by Lee Isaac Chung
  • “Promising Young Woman” Written by Emerald Fennell
  • “Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance
  • “The Trial of the Chicago 7” Written by Aaron Sorkin

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures.

For a complete list of nominees, visit the official Oscars website, www.oscar.com.

The artwork for the Oscars® this year comprises a selection of 6 graphic artists whose work appear on the key art.  We will be featuring each artist here in upcoming issues of the Hollywood Sentinel.

This content provided with kind courtesy of The Academy of Motion Picture Arts and Sciences® ©2021 AMPAS, all rights reserved.

 

     

Child Sex Abuse Gets the Spotlight at The Oscars 2016

Presenter Charlize Theron arrives at The 88th Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 28, 2016.

The beautiful and sexy Charlize Theron, always looking amazing, lands our front page here again this year,  as Presenter for The 88th Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 28, 2016.

Welcome to the new issue of The Hollywood Sentinel! The Hollywood Sentinel is the only free entertainment site that reports ‘only’ the good news, that is read by some of the biggest stars on the planet. With exclusive interviews with the stars, and covering all areas of the arts, The Hollywood Sentinel brings to the world each Monday, with breaking ‘daily news,’ its message of power, education, and spiritual messages, that is not mere political taglines, but rather, our way of life. Be sure to check out our daily Oscar coverage on our various pages. Congratulations to all of the Oscar nominees, and winners!

ELITE AD 2016

SPOTLIGHT WINS BEST PICTURE

Child sexual abuse has gotten the SPOTLIGHT in a big way this year, with the films win for BEST PICTURE.  The Hollywood Sentinel would like to the Thank The Academy for recognizing the importance of putting child sex abuse at the forefront of the minds of the world, with this brave, and landmark decision in acknowledging the importance of this film.

Winning Best Picture for the Oscar, The film Spotlight’s acceptance   speech was given by the films’ producers; Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, with an excerpt as follows;

MICHAEL SUGAR stated,  “Thank you, hello everybody. I love you, Lauren, we did it. This film gave a voice to survivors, and this Oscar amplifies that voice which we hope will become a choir that will resonate all the way to the Vatican. Pope Francis, it’s time to protect the children and restore the faith. Thank you very much.” Amen!

BLYE PAGON FAUST stated,We would not be here today without the heroic efforts of our reporters. Not only do they effect global change, but they absolutely show us the necessity for investigative journalism.”  Thank you to that.

The filmmakers further gave a shout out to (…)the  brave survivors of abuse worldwide.

This content is Copyright 2016, The  Academy of Motion Picture Arts and Sciences, A.M.P.A.S.®, all world rights reserved.

Sexy Rooney Mara a Class Act at The Oscars

Rooney Mara attends the Academy’s 7th Annual Governors Awards in The Ray Dolby Ballroom at Hollywood & Highland Center® in Hollywood, CA, on Saturday, November 14, 2015.
The lovely Rooney Mara attends the Academy’s 7th Annual Governors Awards in The Ray Dolby Ballroom at Hollywood & Highland Center® in Hollywood, CA, on Saturday, November 14, 2015. Check out her full beautiful dress here in this issue.

Also, in this issue, we bring you our exclusive interview with rap star Chill E.B. Chill E.B’s message is vitally important, and in this feature, you will soon learn why. Click the page titled ‘subnormal’ at the table of contents tab to the left to read this story.

Enjoy that, visit the links, read the rest of this site, check back here often, contact us with ‘comments’ that we may choose to possibly publish via the ‘contact’ button at the left of this page, and share this article and site with everyone you know and everyone you are in contact with.

HOSTS ANNOUNCED FOR “THE OSCARS® BACKSTAGE” ON OSCAR.COM

This year’s “The Oscars® Backstage” on Oscar.com, which is the ultimate second screen experience for fans watching the show, will be hosted by a multi-talented group of TV personalities, including actor/writer/producer Orlando Jones, actress and TV personality Diane Mizota, actor Matt Shively, film critic and entertainment reporter Ben Lyons, and entertainment and sports reporter Chris Connelly. The director’s cut from the best of the live backstage cameras will also be available on ABCNews.com, AOL, Comcast Xfinity and Yahoo.

Presented again this year by Samsung, “The Oscars® Backstage” allows fans to choose from four channels that will pull from more than 20 live cameras strategically placed on the red carpet and backstage at the Dolby Theatre®, providing fans with insider views into the most memorable moments of the night. Pre-show channels include: Director’s Cut, Arrivals, Fashion and Red Carpet. During the show, the channels are Director’s Cut (including the popular Thank You cam), Audience, Backstage and Press Rooms.

Jones (“Sleepy Hollow,” “The Devil and the Deep Blue Sea,” “MadTV”) and Access Hollywood Live’s #MyStyleFinds Mizota will host “The Director’s Cut” feeds during both the pre-show and awards telecast. Shively (ABC’s “The Real O’Neal’s”) will report from the fan bleachers on the red carpet with The Players’ Tribune Chief Correspondent Ben Lyons reporting from behind-the-scenes. “Good Morning America” and ESPN contributing editor Chris Connelly is returning as the official greeter of The Oscars red carpet, which includes welcoming nominees, presenters and performers to the show.

From Left to Right: Oscar® nominees Leonardo DiCaprio and Sylvester Stallone at the Oscar® Nominees Luncheon in Beverly Hills Monday, February 8, 2016. The 88th Oscars®, hosted by Chris Rock, will air on Sunday, February 28, live on ABC.
From Left to Right: Oscar® nominees Leonardo DiCaprio and Sylvester Stallone at the Oscar® Nominees Luncheon in Beverly Hills Monday, February 8, 2016. The 88th Oscars®, hosted by Chris Rock, will air on Sunday, February 28, live on ABC.

Pictured above, Oscar® nominees Leonardo DiCaprio and Sylvester Stallone at the Oscar® Nominees Luncheon in Beverly Hills Monday, February 8, 2016. The 88th Oscars®, hosted by Chris Rock, will air on Sunday, February 28, live on ABC. We’re glad Sly has that name tag on, otherwise we might not know who he is. (Yeah right)!

Are the Oscars Black Enough?

The recent uproar against the Oscars for not having any Oscar nominated stars this year in 2016, is a sign of the cultural sensitivity of our times. I had the pleasure to see in person the head of the Academy of Motion Picture Arts and Sciences– Ms. Cheryl Boone Isaacs, a number of years ago at the Memorial for A.C. Lyles; Paramount Pictures Producer, who was also publicist for the studio at one time, and repped some of the biggest stars of all time including Marilyn Monroe and James Dean among many more. Ms. Boone Isaacs– President of the Academy (who is African American), is a lovely and very intelligent woman, who A.C. always spoke very highly of to me. She and others at the Academy have sadly been the brunt of certain hostilities toward this legendary institution, which fortunately seems to have simmered down.

With that said, The Academy took the heat from Spike Lee (who they recently hired for a job), Will Smith (a regular Oscar presenter), and others, and then decided to make some changes. They then recently announced new policy. Witness;

ACADEMY TAKES HISTORIC ACTION TO INCREASE DIVERSITY

Lifetime voting rights re-framed; new governor seats added and committees restructured, with goal to double number of diverse members by 2020

In a unanimous vote on January 21st, 2016, the Board of Governors of the Academy of Motion Picture Arts and Sciences approved a sweeping series of substantive changes designed to make the Academy’s membership, its governing bodies, and its voting members significantly more diverse. The Board’s goal is to commit to doubling the number of women and diverse members of the Academy by 2020.

“The Academy is going to lead and not wait for the industry to catch up,” said Academy President Cheryl Boone Isaacs. “These new measures regarding governance and voting will have an immediate impact and begin the process of significantly changing our membership composition.”

Beginning later this year, each new member’s voting status will last 10 years, and will be renewed if that new member has been active in motion pictures during that decade. In addition, members will receive lifetime voting rights after three ten-year terms; or if they have won or been nominated for an Academy Award. We will apply these same standards retroactively to current members. In other words, if a current member has not been active in the last 10 years they can still qualify by meeting the other criteria. Those who do not qualify for active status will be moved to emeritus status. Emeritus members do not pay dues but enjoy all the privileges of membership, except voting. This will not affect voting for this year’s Oscars.

At the same time, the Academy will supplement the traditional process in which current members sponsor new members by launching an ambitious, global campaign to identify and recruit qualified new members who represent greater diversity. In order to immediately increase diversity on the Board of Governors, the Academy will establish three new governor seats that will be nominated by the President for three-year terms and confirmed by the Board.

The Academy will also take immediate action to increase diversity by adding new members who are not Governors to its executive and board committees where key decisions about membership and governance are made. This will allow new members an opportunity to become more active in Academy decision-making and help the organization identify and nurture future leaders. Along with Boone Isaacs, the Board’s Membership and Administration Committee, chaired by Academy Governor Phil Robinson, led the efforts to enact these initiatives. (source: The Academy)

As host, Chris Rock’s opening speech ranged from a few mild laughs, to poignant, as he discussed at length his feeling on how ridiculous it was to boycott the Oscars, and how he was glad just to be working in this day and age. Others I spoke with, wondered why other ‘minorities’ have not been the focus of so called ‘diversity,’ such as Native Americans, who were here before us all. This is obviously a broad ranged and touchy subject, which we will not digress here upon now, but will save for a future online ‘radio’ conversation, here at The Hollywood Sentinel .

The 88th Oscars were held on Sunday, February 28, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and were televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation was also televised live in more than 225 countries and territories worldwide.

This content is copyright, The Hollywood Sentinel, and AMPAS 2016, all world rights reserved.