94th OSCARS® Nominations Announced

• Javier Bardem in “Being the Ricardos”
• Benedict Cumberbatch in “The Power of the Dog”
• Andrew Garfield in “tick, tick…BOOM!”
• Will Smith in “King Richard”
• Denzel Washington in “The Tragedy of Macbeth”

Performance by an actor in a supporting role

• Ciarán Hinds in “Belfast”
• Troy Kotsur in “CODA”
• Jesse Plemons in “The Power of the Dog”
• J.K. Simmons in “Being the Ricardos”
• Kodi Smit-McPhee in “The Power of the Dog”

Achievement in directing

• “Belfast” Kenneth Branagh
• “Drive My Car” Ryusuke Hamaguchi
• “Licorice Pizza” Paul Thomas Anderson
• “The Power of the Dog” Jane Campion
• “West Side Story” Steven Spielberg

Achievement in cinematography

• “Dune” Greig Fraser
• “Nightmare Alley” Dan Laustsen
• “The Power of the Dog” Ari Wegner
• “The Tragedy of Macbeth” Bruno Delbonnel
• “West Side Story” Janusz Kaminski

Achievement in costume design

• “Cruella” Jenny Beavan
• “Cyrano” Massimo Cantini Parrini and Jacqueline Durran
• “Dune” Jacqueline West and Robert Morgan
• “Nightmare Alley” Luis Sequeira
• “West Side Story” Paul Tazewell

Best documentary feature

• “Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
• “Attica” Stanley Nelson and Traci A. Curry
• “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
• “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
• “Writing with Fire” Rintu Thomas and Sushmit Ghosh

Best documentary short subject

• “Audible” Matt Ogens and Geoff McLean
• “Lead Me Home” Pedro Kos and Jon Shenk
• “The Queen of Basketball” Ben Proudfoot
• “Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei
• “When We Were Bullies” Jay Rosenblatt

Achievement in film editing

• “Don’t Look Up” Hank Corwin
• “Dune” Joe Walker
• “King Richard” Pamela Martin
• “The Power of the Dog” Peter Sciberras
• “tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum

Best international feature film of the year

• “Drive My Car” Japan
• “Flee” Denmark
• “The Hand of God” Italy
• “Lunana: A Yak in the Classroom” Bhutan
• “The Worst Person in the World” Norway

Achievement in makeup and hairstyling

• “Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer
• “Cruella” Nadia Stacey, Naomi Donne and Julia Vernon
• “Dune” Donald Mowat, Love Larson and Eva von Bahr
• “The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh
• “House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Achievement in music written for motion pictures (Original score)

• “Don’t Look Up” Nicholas Britell
• “Dune” Hans Zimmer
• “Encanto” Germaine Franco
• “Parallel Mothers” Alberto Iglesias
• “The Power of the Dog” Jonny Greenwood

Achievement in music written for motion pictures (Original song)

• “Be Alive” from “King Richard”
  Music and Lyric by DIXSON and Beyoncé Knowles-Carter
• “Dos Oruguitas” from “Encanto”
  Music and Lyric by Lin-Manuel Miranda
• “Down To Joy” from “Belfast”
  Music and Lyric by Van Morrison
• “No Time To Die” from “No Time to Die”
  Music and Lyric by Billie Eilish and Finneas O’Connell
• “Somehow You Do” from “Four Good Days”
  Music and Lyric by Diane Warren

Achievement in production design

• “Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
• “Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau
• “The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards
• “The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
• “West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

Best animated short film

• “Affairs of the Art” Joanna Quinn and Les Mills
• “Bestia” Hugo Covarrubias and Tevo Díaz
• “Boxballet” Anton Dyakov
• “Robin Robin” Dan Ojari and Mikey Please
• “The Windshield Wiper” Alberto Mielgo and Leo Sanchez

Best live action short film

• “Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger
• “The Dress” Tadeusz Łysiak and Maciej Ślesicki
• “The Long Goodbye” Aneil Karia and Riz Ahmed
• “On My Mind” Martin Strange-Hansen and Kim Magnusson
• “Please Hold” K.D. Dávila and Levin Menekse

Achievement in sound

• “Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri
• “Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
• “No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
• “The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb
• “West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Achievement in visual effects

• “Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
• “Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
• “No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
• “Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
• “Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Adapted screenplay

• “CODA” Screenplay by Siân Heder
• “Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe
• “Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
• “The Lost Daughter” Written by Maggie Gyllenhaal
• “The Power of the Dog” Written by Jane Campion

Original screenplay

• “Belfast” Written by Kenneth Branagh
• “Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota
• “King Richard” Written by Zach Baylin
• “Licorice Pizza” Written by Paul Thomas Anderson
• “The Worst Person in the World” Written by Eskil Vogt, Joachim Trier

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences® is a global community of more than ten-thousand of some of the most accomplished artists, filmmakers and executives working in film.  In addition to celebrating and recognizing excellence in filmmaking through the Oscars®, the Academy® supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the Academy Museum of Motion Pictures®.

This content is provided with kind courtesy of AMPAS®, Hollywood Sentinel, 2022.